![]() ![]() ![]() Donning a white fedora, bassist Eusebio “El Chivo” Cortéz, 62, gazes towards a glossy grand piano, from which he later serenades the room with Babyface’s 2001 hit, “What If.” Meanwhile, Marco’s younger brother José Javier Solís, 60, conga player and jester of the band, teases the photographer by ducking behind his cousin, founding guitarist Joel Solís, and Los Bukis’ longstanding drummer, Pedro Sánchez, 63. “Pepe,” 62, who mans the saxophone and keys. He is flanked by the Guadarrama brothers - Roberto, 61, who plays trumpet and keyboard, and José, a.k.a. “Make sure you get the panza ,” says Solís, who pats his stomach. Dressed in crisp white shirts and matching pants, they take turns cracking jokes for a Times photographer between toothy smiles. Inside Revolver Recordings, a studio in Thousand Oaks, the seven core members of Los Bukis are assembled for their first in-person rehearsal since their 1996 farewell show in Guadalajara. Upon adding a second date in Los Angeles, Los Bukis sold it out once more at lightning speed - then tacked on additional stadium dates in Chicago, Houston, San Antonio, Arlington, Texas and Oakland. “Mexico was our birthplace,” says Solís, “but California was the cradle.” Two-plus decades later, Hans Schafer, the head of Live Nation Latin, says that the band sold out the 70,000-seat SoFi Stadium within minutes - faster than the Rolling Stones sold tickets to their SoFi show in October. In August 1995, Los Bukis performed at the Los Angeles Memorial Coliseum before 60,000 fans for what would have been their last-ever L.A. ![]() “It didn’t give us much in the beginning, but it’s where we recorded most of our records. is very representative of us,” says Marco Antonio Solís, Los Bukis’ famously coiffed lead singer and songwriter, now 61. Just minutes after the clock hit 11:30 p.m., and following two of his biggest titles “Si No Te Hubieras Ido” and “Donde Estará Mi Primavera,” Solís thanked his loyal fans for singing with him and wished the crowd “a lot of inner peace.Earlier this summer, long-dormant Mexican superstars Los Bukis - whose ballads have soundtracked generations of Latino barbecues, weddings and Saturday cleaning sprees but who last performed some 25 years ago - shocked their fans by announcing a comeback tour, “Una Historia Cantada” (A History in Song). I love music and lyrics, and it’s truly a beautiful career blessed by the grace of God.”Ĭelebrating a 40-year trajectory, Solís’ “street studies” shined far beyond his powerhouse vocals: he played the guitar, played the piano, played timbales, and danced to every rhythm.ĭuring the concert, where he was accompanied by a 15-member band and four beautiful dancers, Solís performed some of his all-time corta-pulso classics such as “Invéntame,” “Como Fui a Enamorarme de Tí,” “Si Te Pudiera Mentir,” “Mi Eterno Amor Secreto,” “Tu Cárcel” (which he wrote during difficult times), and “La Venia Bendita” (which he says was the fastest song he’s written - in just three hours - because he was, and still is, in love),” among others.Įl Buki Tour is not only charged with heartfelt ballads but it’s also equipped with hip-swaying, shoulder-shaking dancing tunes liked “Morenita,” “El Perdedor” and “Más Que Tu Amigo,” to name a few. “I have little academic studies,” he admitted during his show. Wearing a shimmery, sequined pant and blazer set, Solís continued to sing songs such as “Nada Que Me Recuerde a Ti,” “Dios Bendiga Nuestro Amor,” and fan-favorites from Los Bukis’ such as “Falso Amor” and “Y Ahora Te Vas.” Today with technology, what I value most is presence,” the Mexican balladeer said. “Let us thank the heavenly father for this moment. Taylor Swift Owns 'August,' But What Other Month-Themed Songs Have Hit the Hot 100? ![]()
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